The Megaron is minimal in its design with a very small footprint but shines powerful indirect halogen lighting thanks to its concealed high efficiency reflector in anodized aluminium. A dimmer allows to easily control the intensity.
Gianfranco Frattini was an Italian architect and designer. He is a member of the generation that created the Italian design movement in the late 1950s through the 1960s.
Gianfranco Frattini was born in Padua, Italy in 1926. He graduated with a degree in architecture from the Politecnico di Milano in 1953.
Frattini opened his own professional practice in Milan, after having worked in the office of his teacher and mentor Giò Ponti. Frattini became an industrial designer by default when he lacked appropriate lighting and furniture for his interiors. As early as 1954, thanks to Ponti, he began working with Cesare Cassina, who would always remain an important figurehead for him. He was one of the founders of ADI and was involved in the management of the Triennale di Milano on several occasions. He worked with numerous companies in the field of furniture and lighting design including Bernini, Arteluce, Knoll and Artemide, for whom he and Livio Castiglioni designed the “Boalum” floor lamp, a true masterpiece and, above all else, an innovation in terms of product type.
Frattini's relationship with Pierluigi Ghianda, a cabinet maker from Bovisio Masciago, was also extremely important. Beyond the human aspect, this relationship exemplified his passion for working at close quarters with craftsmen, always attentive to the quality of manufacturing and the design stories. Wood was without doubt Frattini's preferred material.
Some of his interior designs, another professional field in which Frattini has left a significant legacy, formed the backdrop for several of Milan's trendiest social venues in the early 1960s, particularly the Stork Club and the St. Andrews restaurant. His designs in Portofino, Capri and the interiors of the Hilton hotel in Tokyo are also particularly memorable.
His work was referenced at the Compasso d’Oro awards numerous times, and he was also a winner of the Triennale di Milano Medaglie and Gran Premio awards. Domus magazine regularly published his work. In 1988 Pier Carlo Santini dedicated an important monograph to him.
His products are displayed in the permanent collections of the biggest design and decorative art museums in the world for example glassware designed by Gianfranco Frattini for Progetti is in the permanent collection of the Museum of Modern Art and the Boalum lamp (with Livio Castiglioni) produced by Artemide is in the collection of the Smithsonian, Cooper-Hewitt National Design Museum.
Gianfranco Frattini died in Milan in 2004.
Artemide Group is a global leader in the residential and the high-end professional illumination sector. Based in Pregnana Milanese, just outside Milan, the brand is distributed worldwide through a network of own showrooms and collaborations with prestigious lighting retail stores.
Founded in 1960 and guided by its "Human Light" philosophy, today Artemide has become synonymous with design, innovation and "Made in Italy".
At the core "The Human Light" means placing the competence of Artemide at the service of man and responding to the need for flexibility and adaptability with utmost visual accuracy and minimum consumption of environmental resources.
Artemide has contributed to the history of modern design with creations like the Eclisse by Vico Magistretti (1967), the Tolomeo by Michele De Lucchi and Giancarlo Fassina (1989) or the Pipe by Herzog & De Meuron (2004); all three rewarded with the coveted Compasso d'Oro award.
In 1994 the company also received the "Compaso d'Oro" career Award and the European Design Prize In 1997.
Icons from the collection are exhibited in the most prestigious museums worldwide and are included in the design collections of the MoMA and Metropolitan Museum of Art in New York, the Victoria and Albert Museum in London, the Museo Nazionale della Scienza e della Tecnica in Milan, the Galleria Nazionale d'Arte Moderna in Roma and the Centre Georges Pompidou in Paris.
Artemide has always collaborated with established international designers but also actively promotes workshops with design schools (for example the Royal College of Art, London) in order to find the best young talents.
Steel base coated with thermoplastic resin, body in lacquered or polished anodized aluminium
Diameter 35cm, height 182cm
2700K or 3000K
Made in Italy
"White Glove" Delivery
SEE MORE FROM SAME CATEGORY, DESIGNER, BRAND OR PERIOD: